Showing posts with label 2010. Show all posts
Showing posts with label 2010. Show all posts

Saturday, April 30, 2011

Cee Lo Green - The Lady Killer

Cee Lo Green - The Lady Killer
Published in 2010

Okay, so I love Cee lo, as is obvious from my Gnarls Barkley album project, but The Lady Killer blew me away from the first bars of Bright Lights, Big City.

This, in less time than many other albums I love, has completely won me over. It's obviously crying out to be added to the rotation. My god, what a great album.

Let's talk about the song everyone knows already. Fuck you is perhaps the quintessential pop song. It's catchy, funny, well made, and it's completely danceable. I'd venture to say that it is nigh on untouchable this year, except for the fact that this great pop sog seems to be a dying breed.

This album is one of those albums that will stick with you, because it mixes the timeless with the current. It's obviously an album of the now, but at the same time it's got an incredible sense of musical history. Ceelo's voice is pure motown, which is perhaps the highest compliment that I can think to give him. He reminds me (and it's important to specify that I do not mean imitates,) of some of the great singers that I loved when my mom and I listened to (MD radio references in the house) 100.3, the oldies station.

Seriously, find a recent album that combines dowap and modernity so well. I dare you. I double dare you. If you can, yu will win an album project award for sticking my nose in my own bold claims. I'm thinking of calling it something super degrading.

Seriously, folks, it's a great album. I knew that this one was going on the project from the first song. It's that infectious. If you pick it up, not only do you get the best single of the summer, you get an awesome album of songs of longing and the second best single of the summer.

No, I mean that. Go find the video for Its Okay. I'd do it for you, but then I'd start embedding videos all the time, and no one wants that. Really. Monty Python sketches are more relevant to music commentary than you think.

It's just a spectacular song, right?  I know, I told you it up there. I can only tell yu thatthe rest of the album holds up next to it. There isn't a song that doesn't fit this amazing mold.

The whole of he album is like that. It's a showcase for great music, and that showcase is used in the best way. I actually think that this defies any normal catagory. It's Motown, but it's sampled. It's modern and timeless, as I said at the top. It's beatiful and perfect.

I guess what I am saying is
1. everyone was right about this album
2. get this album, it's not optional,
And 3. Ceelo, come here buddy, I'll give you a big man hug.

Album project over. Hope you enjoyed it. Nick Olmstead, get this album immediately, or I'll kill you. That's not a threat, it's a promise.

"Well, obviously the core concept Lana."
Matt

PS. Hey, I know I've been harping on this a lot, but Give Phil Five! Leave a comment, make beautiful weight loss possible by depriving me of beer.

Saturday, March 5, 2011

Kanye West - My Beautiful Dark Twisted Fantasy

Kanye West - My Beautiful Dark Twisted Fantasy
Published in 2010

So guess what, this is going to be the first one that I write on a computer in a while, so that means it will have longer sentences, with nice subclauses, and a bit more structure.  Writing on my iPod is good for a lot of things (mostly getting album projects done while in transit from one place to another) but it is not good for style.  I notice myself conserving words, stopping myself from ranting and raving, and generally making this a less interesting read.  However, you don't care about that, you're wondering why I have two links in my little intro up there (If you weren't, good for you, you care more about what I wrote than what I am doing.)

I have an obsession.  I am addicted to the AVClub, the sister publication of the Onion, and I have been for several years now.  As you may have noticed (music blog, general nerdy asides, limitless tolerance for pop culture knowledge, Star Wars obsession, etc.) I am a bit of a nerd.  I like to soak subjects in, and when I find a good place to do so, I will read their archives, their sidebars, and even discussions about things that I have never watched or cared about to this point.  So, I use the AVClub as one of my main soaks.  (By the way, Wikipedia is the other, but it's a little dry.  Encyclopedia Dramatica, however. . .)

The best way to get an honest opinion about something, in my opinion, is to ask them straight up about what they care about, and then ask them to break that thing down into better, worse, and terrible.  For instance, I would tell you that when starting to read Star Wars books, you could not go wrong with the X-wing Series, mainly because Wedge Antilles is a great character, Rogue Squadron is one of the most dynamic presences in the book, and your ability to be engaged with the world is much greater.  I would tell you not to immediately start out with the Young Jedi series, however, I would tell you that to understand the overarching plot for the last 15? years in the books, you would have to read through it at some point.  I would tell you to ignore the Han Solo Trilogy until you were fully locked in, and so on and so forth.  (I had to stop myself there, let's just leave it at that. Point made, right?)

When I get obsessive about something I want to consume it voraciously.  I've read nearly all of the Boxcar Children novels, because I read the first one, enjoyed it, and every day for a summer, in about an hour, I'd kill one of them.  I've more recently (in college) become obsessive about sports, or at least knowledgeable enough about them to enjoy them.  I now cruise ESPN.com everyday, looking for interesting stories. So, when I got a little obsessive about Pop Culture, the AVClub seemed the perfect fit.

In middle school, and to this day, the Onion is a source of laughs.  It's one of the most incredibly smart and silly pieces of humor in print today.  I haven't seen Sportsdome yet, but I'm pretty sure I am the target audience.  So, the first time I clicked over to their sister site, the AVClub, I felt like I was finding a place where my sense of Pop Culture was respected.

Sarcasm, hipsterism, Wire-obsession, and more, it was obviously a place that reflected my sense of the ridiculous and (I will say it) beauty of Pop Culture.  I think over the last four or five years, I have read nearly all of their running columns, and I have completely loved 95% of it.  Some stuff I agree with, some I don't, but it is all written with people like me in mind.

So, out of respect to the AVClub, and the den of hipster douchebags that it is, I've decided to make March "Best of the AVClub."  I'll be writing about the best of 2006-2010.  Luckily, I've already covered one, in my most abstract of essays, but Phoenix needed to be written about that way, then.  So, here we go, with the Best Album of 2010 - My Beautiful Dark Twisted Fantasy.

There is an amazingly schizophrenic aura to a man like Kanye West.  I am completely sure that this is where his divisive reaction comes from, and I couldn't write this essay without actually dealing with it.  So, let's do what everyone has to do when Kanye West is being discussed in a public forum.

1. What he said about George Bush: My personal opinion is that Kanye went off the cards because he believed what he was saying.  The fact that it hurt Bush so much, means that there was something there that was true.  I don't think his intention was to call the President racist, but the way it came out, it obviously had that connotation.  However, if Kanye had said something like "George Bush doesn't care about poor people, and this is the way we can help those people, so please call this number," it may have softened the blow.  However, I like Kanye, and I am not a huge Bush fan, so I might be biased.

2. Taylor Swift:  Rude: Yes.  Bad for his image: Yes. Yelled at a pretty, tiny, white girl: For sure.  Wrong: ??? Look, I'm amazed that I haven't been forced to listen to some "new country", because my friends seem to be the vindictive types who want me to do "Now 6" (Jake :glares:), but I don't like Taylor Swift.  I think her songs are pretty, but pedestrian, and really, incredibly, mundane.  Beyonce is Beyonce.  Not much more creative, in my opinion, but has a ton more personality, and at least a hint of funk in her soul.  I want her to succeed because she seems so genuinely awesome.  Also, if her and Jay want to hang out, I'm available constantly.

3. His music.

Which is the problem.  One and Two take so much away from number Three, that it makes it hard to feel like you're on his side.  I'm supposed to feel like, fuck Kanye, he's mean to people and rude, and an asshole to authority figures, and blah blah blah.

Well, fuck that.  I'll say it now, hyperbole and all, but Kanye West is perhaps the greatest album maker of the 00's.  He's incredibly complex, spectacularly equipped to make great music, and if you don't think so, you pay too much attention to the news, and not enough to the music.

That's right, "Mr. Alternative Radio is the only radio I will listen to" is saying that Kanye West, for better or worse, is one of the greatest artists of our time.  His contentious personality would overshadow this, but that would be if his personality came anywhere near as bad as his albums are good.  And let's be clear, Kanye's albums are spectacular.

My Beautiful Dark Twisted Fantasy is the last in a string of incredible fucking albums.  808's and Heartbreak is one of the most haunting and interesting albums I have ever heard, and is the only justified use of Autotune outside of Mr. and Mrs. Autotune themselves (T-Pain and Akon[T-Pain gets to be Mr. because did a song with Lonely Island and was on Aqua Teen Hunger Force).  Graduation - "Stronger", "Can't Tell Me Nothing", "Champion", do I have to list the whole album?  Late Registration is one of the best sophmore albums ever made, and it came out one year after his first. And if you don't like College Dropout, you need to stop eating lead paint, but some headphones on, and listen to that shit.

Look, I'm trying to calm down on this, but seriously, I could write an entire month on Kanye alone.  I love his albums, because they are made as albums, and even distracting ass side skits don't take it away.

One thing I've discussed with friends, and I think I read this on the AVClub, is the idea of a Pop Culture pass.  For instance, no matter what Christopher Walken does, I will always love him, because he is an amazing actor.  He earned his pass when he appeared in the watch scene in Pulp Fiction, if not in Deer Hunter.  Same with Samuel L. Jackson, Michael Jackson, Ian McShane, and the list goes on.

So, I have to do this.  Kanye, barring any unforeseen circumstances, where you do something more incredibly dumb than the brilliance you show in music, I hereby bestow upon you a Pop Culture Pass.  I don't give a shit who you tell off, I want you to charge the stage if you want to, I don't care what you say, if you keep putting out albums, I'll keep listening to them and buying them.

My Beautiful Dark Twisted Fantasy is in the running for the best album Kanye has ever done.  However, with his five albums, you have to anticipate that every one of his albums is in the running.  Personally, 808's and Heartbreak is probably my favorite, but that depends on mood, of course.

Listening to this album is to hear . . . brilliance?  Perfection? Insanity?  Who makes an album in these days, that has a theme, a consistent sound, and is intended as a whole?  Why is Kanye West so much better than everyone else?

The sound of the album, to me, is an orchestral beat pumped through a classic game boy speaker, with lush vocals and samples on top of the spectacular backgrounds.  The beats are well done, the whole thing sounds lush and full.  The autotune of 808's is used sparingly, if at all.  The difference between the albums is pretty astounding, to hear that two years later, this is his new sound.

Maybe that is part of it, that it always sounds new.  No one else sounds like Kanye.  The Neptunes (another of my favorite producers, and I love N*E*R*D) are sometimes as good as Kanye, but I find their brilliance to be less consistently through the roof.  There is no missed opportunity, no wasted time.

The guests are tight, doing their best to slam out incredible performances.  If you haven't heard Monster yet, that would be the track that I would say is the best of the album, however, I can tell you that if you put it on shuffle, one would be hard pressed to catch a bad song, since I haven't heard one on here.  Now, some are less than others, but when you're on the 30th floor of a building, and everyone else is down at the third or fourth, the 29th floor is pretty high too.

I'm listening to Runaway right now, and while the intro is slow, the song is actually doing something that few pop songs do.  It's building.  It's building to a new level, and to a new verse, and to a climax.  He's using sparseness to create a full and rewarding upward slope.  The verses are nice, and the chorus is well done, but the developing beat is fucking spectacular.  Even when something drops out, it is in the service of something bigger coming back on.

I think one thing that might be hard for some people is the language and subjects he chooses to talk about, so let's talk about that for a second.  Yes, it's all about money, sex and power, but of course, so is everything else.  In some ways, the bluntness of it is refreshing, and the words that are used are poetic in a way that you almost need to divorce from the voice to appreciate.  The lyrics are fast and unrelenting, but, and this must be said, clear and distinguishable.  As much as I love Necro, I can't hear what the fuck he is saying a great deal of the time.  This is not a problem with Kanye.

Look, I'm going to tell you a secret.  If you divorce yourself from reading about pop culture, then the art is just art, and you can listen to it unbiased.  However, if you read the pop culture, and understand that it is the most meaningless of news and enjoy it for it's novelty, you can appreciate the art just as much.  The moment you take it seriously, though, you are lost.  If Kanye has proven anything, it's that he needs to be on the mic, because what he creates on a mic and in a studio is frankly astonishing, and whatever he does after that, I don't need to care about.

This album is a hedonistic, destructive, apocalyptic, maniacal, self-centered, insane, schizophrenic, mess.  If you don't hear it once, you've missed out.  It is firmly Not Optional.  With this, a masterstroke, I give one Kanye West, his lifetime pass.

Next week, on the Album Project - The Best of the AVClub: TV on the Radio's - Dear Science, 2008's best album.

"I shall unleash a firestorm of humility the likes of which the universe has never seen."
Matt

PS.  I figure I should do the Album that I listened to most of the year and the one that I think was probably my favorite of the year, what with this being number 1 March and all.  So, my number one is, of course, Plastic Beach, by Gorillaz.  Too good to ignore, I listened to it on repeat for days.  Some Kind of Nature is one of my favorite songs ever.

PPS.  The AVClub just did an article on one of my (obviously) favorite subjects, how long does it take to get an album.  It's written articulately and well, and is much like my own opinion on it.  Also, it's better than anything I'll write this year, so thanks to the AVClub for making my writing pale in comparison!

Saturday, February 26, 2011

Daft Punk - Tron Legacy Soundtrack

Daft Punk - Tron Legacy Original Motion Picture Soundtrack
Published in 2010

One - iPod

So, yeah, this is going to be a weird one. I was going to do a different soundtrack for this one, but a bus ride with my limited iPod has somewhat forced me to choose this one, because I had it and couldn't sleep.

Let's talk about soundtracks for a second. Soundtracks exist in a strange place between music and movies. Some movies are enhanced by their soundtracks, while others are completely dated by them. Dirty Work, dates itself completely by featuring two of the ninetiesist nineties songs to ever ninties ever in it's first couple of minutes. However, there are the iconic ones that will never leave your head. The End, by the Doors, playing over the end of Apocolypse Now (that whole soundtrack captures something ineffable about the time and place of the movie.) the Pixies at the end of Fight Club. Steeler's Wheel in Reservoir Dogs. These are songs that have been repurpsed to fit a particular moment, making it have a heightened resonence.

The other side of this is the orchestral score, or the music composed for the film. Imagine Star Wars without the music by John Williams. Or for that matter Jurassic Park, ET, Jaws, Indiana Jones. How would all those French horn players make any money? Or The Social Network without the bizarrely intense Trent Reznor score. Or a musical like Nightmare Before Christmas.

The distinction that I am making is that movie soundtracks generally fall into an either or proposiion. Either it is used by the movie because it is a pop culture song, or it is made for the movie. In general, the latter fit better than the former. Mainly because when you are hearing the song of last summer for the thirtieth time in a movie that year, it has a certain distracting quality to it that our friend Mr. Bale knows quite well. (Two year old pop culture ephemera joke? Sign me up!)

Tron: Legacy dealt with the soundtrack issue very well. They brought in two of the most talented digital associated artists and seemingly gave them carte blanche to do whatever they wanted to. What you get is actually a quite impressive mixture of the two kinds of music that normally accompany movies.

Daft Punk is an enigmatic group, performing sampled and created music from behind a dj booth. Their albums in general are consistantly good. They have super dance party music. They make thinking people's electronic music.

However, on this album, I think it is their more orchestral prices that stand out for me. They have a different flavor than just the pure electronic ones, and I think that gives them a texture that your average daft punk song lacks, or at least isn't striving for.

This is a fucking cool album. It's maybe not particularly repeat listenable, but it has some really moving and amazing parts. The highlight is of course the scenes from the bar in the movie, just because that plays to their strengths so much, but the rest of the soundtrack sounds good. It also fits well with the tone of the franchise, for better or worse.

Now, because I have to, let's talk about the movie. I appreciated what they did with it, and I actually quite enjoyed it, but I can see the flaws. I just took those flaws as hearkening back to the insanity that was the first movie. Also, any movie with Jeff Bridges acting in two roles is somewhat cool, although CLU was a monster deep in the uncanny valley if you looked at him.

However, give me the moment where Renzler slams into CLU saying "I fight for the users" any day of any given period of time, and I will be completely psyched. I don't care how silly it sounds, it was spectacular just to see that little bit.

Never mind the fact that they threw a bunch of mythology away to make this, it was quite fun.

A good soundtrack doesn't get in the way of the images on screen. A great soundtrack adds feeling and depth to those images, creating pathos and feeling behind the images. By this standard, Tron succeeds incredibly. If you have an ear for music, you can pick out whose music cues are whose, and you can hear the movies universe going by. And who wouldn't want to spend more time in a universe where lightcyfles exist and programs are made to fight?

Thanks for bearing with me through this one. I hope you could give a couple of tracks a spin. I particularly like End of Line.

Next week - KANYE

There is only one way to end this one.
"I fight for the users!"
Matt

PS. Hey Kids! Give Phil Five! OR BURN! IN HELL! FOREVER! Also, comment below, and I'll Give Phil Five for you, cause I am buying my way to heaven five dollars at a time.

PPS. We're done with May at this point, so suggest some more damn albums so I can stop doing ones that I love.  It's really hard to be critical of shit that I suggest myself.

Tuesday, March 9, 2010

Gorillaz - Plastic Beach


Gorillaz - Plastic Beach
Published - 10 minutes ago, 2010

This one is going to be interesting.  I promise that I'll go fast.  I'm going fast because this is the first time that I've heard the album, and I kind of want to see what I can get out quickly while absorbing the music.  I'll probably come back to the Gorillaz at some point, because I love what they are doing, but this one is going to be all about the new one.

And I am literally listening to it right now.  The opening intro reminded me of the best parts of the Bioshock soundtrack, and we're opened into the "World of the Plastic Beach" by Snoop D O double G, which is always a good way to enter something.  As far as I can tell.  These two serve to show the eclectic styles that are going to be thrown into together.  A good solid intro.  However,

We're onto the next track now, and this motherfucking album is going to be on fucking fire for me.  We open with an orchestral intro, that is slowly developed and changed into the beat for some fucking flow.  Kano and Bashy, I bow down. It is an incredible start to what I hope to be an incredible album.  There is an amazing Middle Eastern style breakdown at the end of the song too.  Wild.

We've reached the next track, and here comes 2D, for the first really recognizable appearance.  This song, Rhinestone Eyes is a laid back dance track, a little down-tempo from Dare, but has a very nice late 70's feel to it.  This is a Gorillaz record.  It's not like anything else that you're going to hear this year.  A damn solid track.

Here we are, onto the big single, as far as I can tell from my perch across the Pacific.  Stylo is the only song on this disc that I have heard before, so I think I can process it better.  One: Go see the video.  I know that you guys love that new OK Go joint, but you should check out Stylo, just to see the new aesthetic that Gorillaz is working with.  Two, it's a weirdly downtempo joint, but I guess that is the style that they go for.  Just think a bit about Feel Good, Inc.  This song, however, is much more focused on the guests than FGI was.  It reminds me what sold them to me in the first place though.  As I said before, it's a completely different vibe than you'll hear on almost anything else.  I cannot name a band that in one album moves over more musical space.  

We're moving on to the next song, featuring the man himself, from FGI, De la Soul.  Another bumping rap track.  Superfast Jellyfish is some kind of crazy fast foodish advertising song.  What the fuck am I listening to?  This is amazing.  It's so different, I don't even know how to describe it.  It's a light poppy song that is also a bumping rap song.  So weird...

Aight next up, a song called Empire Ants.  You can really feel the beach theme coming through on the beginning of this one.  It sounds like one of those slow surf songs with the singing guitar.  Another slow track, a bit, God, do I say it out loud, Beach Boy-ish?  It sounds like that moment when the boardwalk closes in the evening right before a drizzle, when the beach is actually just a beach, and not just covered in ambient noise.  Then the track moves into a nightclub like dance track, which is sung by Little Dragon.  One thing that you need to realize about the Gorillaz is that they bring out great tracks because they work with great people.  I don't know who Little Dragon is, but I'm inclined to pick up their album just due to them working with Gorillaz.  

We're onto another track, one that sounds like a dubstep creation.  This album is full of songs that are just too weird to be described, and that is exactly what I love about the Gorillaz.  It takes so much to pay attention and listen to them that you're fully absorbed.  It might not be your cup of tea, but if you don't find at least one track on each album that you find fascinating, I think that you might not be real.  A lot of electronic distortion is used in this track, but it is not at the expense of music, but to make the music itself.  Very Dust Brothers.  Beautifully complex.

Jesus Christ!  It's Lou Reed!  From Walk on the Wild Side!  What the hell are you doing here Lou Reed?  Not that I am not appreciating it, but seriously, you've completely derailed my ability to write about this awesome song, because it just got like a 40 point bonus for having you on it.  I'm so incredibly psyched that Lou Reed is on a Gorillaz album.  I have nothing more to say about Some Kind of Nature other than if you don't listen to this album...

On Melancholy Hill is a haunting and beautiful track, that just sort of lasts.  It's beautifully simple and progresses wonderfully.  Listen to this album.  It'll do you some good.

Broken is another song that is a little slower, a little more beachy, than the other Gorillaz records.  However, the heartache vocals of 2D and the hurt that he expresses in his voice is pretty incredible.  The performances are quite amazing and wonderful.  This is a great slow walking, thinking album.  

Mos Def is a talented man.  In Sweepstakes he appears to be rapping over the most eclectic group of electronic instruments that will ever get together.  He's being distorted, changed, and burning the track up.  The sound is all encompassing, and slowly morphs into the sound of a big band playing the electronic instruments part.  This is giving me fucking goosebumps.  I write about music and try to give you some insight into my feelings about it and this is just too wild, I just don't know what I can say about it that won't make no sense to you.  This track will never be played in a DJ's set, and yet, it is the most incredibly fucking weird awesome mashed up wild song that I have heard in years.  Also, Mos Def just destroyed this album.  He fucking owned it completely, and that song is now over, and I don't even know where they go from here.

Now, we're onto the title track, Plastic Beach.  Another song that sounds a bit like a downtempo dance track.  However, I am enthralled.  I cannot turn my ears away, because I'm afraid that I am going to miss the next change and miss the next moment where it develops into another album entirely.  The chorus is amazingly beautiful and interesting.  I'm going to be obsessed with this album for a while after this.  

Another beachy track, called To Binge, featuring Little Dragon.  It's very pretty and I've been sitting back and just soaking up the song for the most of it.  So I'll be moving on quickly.  Very beautiful though.

Cloud of Unknowing is a lot like the two wrap up tracks of Demon Days.  If you like the sonic experimentation, and you want them to branch out, these are the kinds of tracks that you live for.  If you just want them to do more poppy stuff, this is going to be the part that might lose you.

Finally, we get to Pirate Jet, which is a bouncing track, somewhat reminiscent to me at least of Sgt. Pepper, where we hear the marching beat, and we've got the wrapping up of the message.  This is obviously an environmental record, but this is going to be a strange one for people to get into for that reason.  The music is just too good to overlook.  And they are playing some amazing tracks on this one too.

I'm going to write a brief conclusion, and save pontificating on the Gorillaz for later.  I want you to pick up this album.  This album is firmly in the Not Optional category.  If I had a category for Instant Classic, because I am reviewing it the day it came out in the US, this one would be all over it.  I'm listening to the bonus tracks at the moment, and I'm already hungry to get right back into the album.  I hope you'll pick it up, not because of my recommendation, but because you want to encourage artists to make new and interesting works, that draw you in and make you sit and consider them.  You so rarely get artist that constantly are expanding and trying new things, that we need to encourage them.  

I know that I have been quiet on the blog front recently, but fear not, more Album Projects are on the way.  I'm having trouble getting them off my iPod at the moment, but I have a bunch cued up on that.  

Anyway, I hope you enjoyed my liveish blog of this one, and go pick up the album.
Listen up, and listen like crazy,
Matt